It’s been more than 1 year since last Games User Research conference that I’ve attended in London. I was looking forward to this year’s edition! Last Friday, 30th September 2016, was a very special day. During the GUR conference we had the opportunity to meet professionals and academics from the games user research industry and academia. The conference was in the same place in London, near Holborn station. I had to wake up at 4h in the morning to be there on time! :)
The conference was organised in several sessions that addressed different aspects of Games User Research. I think that the best thing this year is that they brought more aspects from the industry, as for example, communications within teams and how to build your career as a GUR professional. On the other side, we had talks about including games user research in the University as a module of games design and the differences between GUR in the industry and in the academia. Different methods, such as the use of eye-tracking and diary studies for games user research were also discussed. We also had topics around accessibility and cutting-edge technologies like virtual reality.
In this post I will try to briefly explore, explain and mention the 15 main points and lessons that I’ve taken from this conference.
1. Eye tracking is a window to attention dynamic. We have different ways to process information in time. Shape, size, colour, motion, and emotional content are attractive factors and the position of these elements also influence attention. We need to think strategically while analysing eye tracking data in games user research, particularly because each visual element transmits a message.
— Adam Russell ⚡ (@AdamSRussell) September 30, 2016
2. “Is the player looking at how the designer expected?”. By using eye tracking in games user research we could try to map these dynamics. This is very similar to the lesson number 1. The research question here is about expectations, positioning and design.
3. Games User Research as a module in BA education. With a module that explores theory and research, it is possible to include GUR at Universities in the Undergraduation level. Theories like fun and flow, engagement, challenge and difficulty are a few examples. Students can learn research tools so they can test their own games.
— Jennifer R (@jnnfrrss) September 30, 2016
4. Transferable skills are crucial for GUR. Yes, students and professionals should have good transferable skills as, for example, communication, cooperation and interpersonal skills. Empathy, leadership, collaboration and oral and written communication are also a few skills in this list.
5. What makes a good games user researcher? When looking for a career in GUR, it is crucial that you know that games user research means and what it really means to be a good games user researcher. You should be able to review games, use the right vocabulary and communicate a clear message to your audience.
6. Communicating with everyone is crucial. Communication is definitely a key aspect in GUR. For example, stakeholders need to be aligned in order to avoid invalid research questions.
7. Write clear and concise reports. Think about your audience. Developers could misinterpret the reports and take the wrong actions, due to the lack of consideration of the whole report, including the solutions and suggestions.
8. Academic GUR vs. Industry GUR. In the academic world, games user research usually summarise the findings and it utilises “finished” games, whereas in the Industry is more “formative”, influencing the development stage.
— Veronica Zammitto (@verozammitto) September 30, 2016
9. Indie studios need training to be able to do games user research by themselves. Indie studios could playtest their games in their own houses as one way to address GUR in a more viable way.
10. Never underestimate diary studies! You need time to analyse and write your report. Giving support to players is also necessary.
— Games User Research (@GamesUR) September 30, 2016
11. Need for haptics! Clothing, hardware, lights, vibration – make use of haptics to replace or reinforce the audio cues that gamers depend on, while designing for deaf audiences.
12. “Designing for a specific group doesn’t mean that it only has benefits for that group”. Look at your core audiences when you’re testing your game.
— Alistair Greo (@AlistairGreo) September 30, 2016
13. There is a need for a new grammar for interaction design in virtual reality. This could be undertaken by creating conventions and affordances.
14. Cyber sickness and comfort play are the main concerns in terms of VR. Make sure to recognise the symptoms of sickness in VR: opening mouth, heaving breathing, replacing chair, doing nothing in the game, moving at slow pace.
— Games User Research (@GamesUR) September 30, 2016
15. Network. Doing networking and playing games after the conference was great. I really had the opportunity to know more the people involved in the conference. Always make sure to network. :)
— Angela B (@angelabSFW) September 30, 2016
I believe that the main points from this day just highlighted the importance and the role of Games User Research as an activity and as a mindset. GUR is not about finding bugs. GUR is about people. GUR is about understanding what people do in games and why they do this – and how the games (developers and designers) provide such interactions. GUR is about a conversation. It is about communication and it does not happen in a vacuum! We need to know how to communicate the research findings in a quick and easy way.
I will definitely share my notes from each talk in further posts. See you all in 2017!
For the full conference, please watch:
And if you want to know more about GamesUR, here is a nice video: